(Spoilers) I haven’t seen the new “Star Wars” yet, but I’ve let plot points be spoiled for me — things like Rey’s parents supposedly being “nobodies.” For some people, that’s disappointing. But I like the idea quite a lot — I suppose because legacies in fiction are often romanticized as being a far more noble thing than they are in the real world. Many of us would like to be part of a legacy, just to inherit “greatness” and its ensuing path. But mostly legacies are just an inheritance of privilege.
People are busy and not always able to make time to read as much as they might like — which doesn’t always quite bode well for a blog post. There are always many that nobody ever reads, let alone likes. If you’re the author of a post that you put a bit of your heart into, and if likes mean something to you (they certainly don’t have to), like it yourself. Continue reading “The Cold II: If It’s Something to be Proud of, Like It Yourself”
If any holiday could be for the people who don’t fit in because of the way look or a few odd mannerisms, Halloween probably is not it. Continue reading “Halloween as More than Aesthetic”
“Maniac” is a 2015 Norwegian TV series from co-creator/star Espen Larvaag and Håkon Bast Mossige. Cary Fukunaga is helming an American remake, but the original stars Larvaag as Espen, a mentally ill man who’s been committed – though in his head, he’s having the time of his many lives (And now for spoilers galore). In his vivid fantasy scenarios, Espen’s alternately a billionaire who moonlights as a superhero, a hotel magnate/heir to a dubious family’s fortune, a WWII hero, (sitcom) Jerry Seinfeld, and more. The one constant in these lives is best friend/companion, Hakon, who alternately reaffirms that Espen’s the coolest person on the planet and to not trust any interloper. Continue reading “Mental Illness in the TV series ‘Maniac’”
For Halloween, I wanted to write about classic monsters in a way that’s slightly different, harking mostly to the metaphorical parallels that makes them so interesting. As alliterated in a Smashing Pumpkins song, the world is a vampire. Cue flash of lightning and the sound of thunder. Continue reading “Halloween post: ‘The World is a Vampire’”
“Late Night Partners” is “a full-fledged novella currently selling for less than two dollars” that is “well worth the price,” writes JL. “Doris’s transition into vampirism is not straightforward—it’s a very different narrative from the popular Romantic Vampire type; her sire isn’t there to mentor her, and there is no reason or ceremony to her turning. She simply is thrust into new circumstances and made to accept them and understand herself within them; through her vignettes in the eighteenth century, finally see where the ‘privilege’ of vampirism can run out.”
“7.5/10.” Full review here.
Most of liberalism’s biggest heavyweights did not support Jeremy Corbyn. The official wing of liberalism is generally so because it still benefits the privileged the most on an economic level, thriving in the shared part of a Venn diagram which has its most powerful rival on the other side. It mostly supports the poor having some of the same rights that it does, just so long as there are still privileged bubbles.